ANALYSIS OF SYMBOLS FOUND HIDDEN IN THE BANK OF AMERICA IN CHARLOTTE NORTH CAROLINA.

Prominently in the lobby of the Bank of America no "chilling" murals, filled with occult symbols. Even more disturbing is the fact that the images appear to predict the events of a radical change in the world in the not too distant future. Does the prediction of the coming New World Order is hidden in the wall? We'll see the hidden meaning of the symbols found on the murals of the Bank of America in the state of North Carolina Charlotte.

The three murals on the lobby of the Corporate Center of Bank of America.

Although normally read from left to right, there are clues in the murals that suggest viewers to see the paintings of right to left. "Planning" stage (visually represented by the mural on the right) is usually the first step of any process so it would make sense to begin from there. There is also a reference to the alchemical symbolism in the timing of the murals, so let's start with the right:

Mural on the right.

The mural on the right is called Planning, Knowledge. An esoteric reading of symbolism reveals exactly what is planned and what knowledge is concerned.

Young mason on a Masonic floor

We see here a young blonde boy standing on a floor with the standard Masonic checkerboard pattern. His feet are placed at an angle of 90 degrees, according to the Masonic initiation ritual:

Apparently there are people under the child dressed in business suits, strategies, apparently, pointing to the young Mason. Does the child represents the "new generation"?

This reminds me blond boy blond boy on the center of one of the murals of the Denver International Airport.

Blond boy hammering a sword into a plowshare. Note that the child wears a traditional Bavarian costume maybe as the Bavarian Illuminati?

Burning bush, the woman in the Cube and Pyramid.

Symbolism overload

No child behind a tree on fire, which is a reference to the burning bush of the Old Testament. The burning bush is of great importance in Masonic ritual, especially for grade 33, whose members are considered "near the Burning Bush"

In the background is an Egyptian pyramid, the ultimate symbol of the Mysteries in the occult teachings.

A strange feature of the painting is the woman who appears trapped inside a transparent cube, which hangs with threads from heaven. She represents the common man, trapped in the confines of the material world (secretly represented by the cube) and manipulated by unseen forces from above?

Stairs and Sol Black.

Jacob's ladder and a black sun.

To the left of the image the stairs, apparently leading to heaven, a classic symbol representing the path to enlightenment through the mysteries of Freemasonry.

A Masonic engraving depicting stairs leading from the Masonic floor to the "outside"

In heaven there is a Black Sun, another symbol of an esoteric meaning. The Hermetic traditions teach the existence of two suns invisible ethereal one, made of pure "philosophical gold" and moreover the material, the only one the profane can perceive, known as Black Sun.

In alchemy, the Black Sun (Sol niger) is the name of the result of the first stage of the Magnum Opus. Alchemy Magnum Opus (or Great Work) begins with the "darkening" the calcination of raw metals and ends with its transmutation into pure gold.

Today, the Black Sun symbol is mostly associated with esoteric Nazism and cults like the Temple of Set. It is also found in strange places, such as:

Bracken House, London. The Black Sun with the face of Winston Churchill.

And, once again, the Denver International Airport.

In the floor design Denver International Airport is represented by a black sun moving across the sun gold

The fresco on the right appears, then, represent the first step of a "Great Work" to be carried out, symbolically represented by the black sun. Men dressed in suits (one curiously resembles Adam Weishaupt), appear to be preparing a new generation of young Masons. Meanwhile, the "profane" seems to be parked in a transparent cube, controlled by unseen puppeteers.

Mural of the medium.

The mural of the way, Chaos Creativity, represents a period of turbulent transition. Many details within the painting describe this deep crisis, which seems to be affecting the whole of society and civilization. We met with military and religious figures, people protesting and more.

Ropes, nets and soldiers on the streets tell viewers that this period of crisis is also of oppression. The nun did not seem very happy either.

To the left of the painting is a person wearing a biohazard suit, hinting at a kind of chemical warfare.

Person with a gas suit

For this reason and many more, I think this painting is very similar to one of the murals of the Denver airport, the most infamous.

This mural depicts a military figure in a gas mask and oppressing an endless line of sad people. The dead chemical warfare, military repression, babies

If you look at the top of the wall, we see translucent beings spinning with fire, perhaps implying that the crisis is happening in a metaphysical, cosmic or astral level.

Naked bodies spinning in a vortex of fire

This round of fire can also be compared to a sun. His pale golden color and transparency of your numbers may be associated with the intermediate step of the great alchemical work called "whitening". Jung, compared with this step the morning, preparing for the next and final stage, which is the sunrise, which is characterized by the color red. What is, of course, the most prominent color of the wall on the left ?.

Mural on the left.

The mural on the left focuses on the theme of "Making, build." The main figure of the mural is a worker holding a shovel, contemplating the work. In his back pocket is a piece of red cloth, a symbolic detail in the context of the image. Indeed, there is a great emphasis on the red color in this mural, which, as mentioned above, is also the color associated with the last step of alchemy Magnum Opus: Rubedo, the "Network".

In the occult teachings, the alchemical transformation can occur at several levels: the material level, where crude metals are transmuted into pure gold, but also spiritual and philosophical level, where the profane man becomes a "regenerated man". In the tradition of secret society, the whole world is considered the subject of alchemical transformation but is said to be a flawed plan that needs to be "transmuted into gold", to reflect the heavens, according to the axiom tight "as above, so below." Is a New World Order the "Great Work" of occult elite?

Sleeping giant.

Is he dead or asleep? And what "EQ" mean?

A curious detail of the mural is this mixture of man and land, apparently in a deep sleep or is buried? This is also reminiscent of the small child slept in the Denver Airport murals.

What is the meaning of Murals?

Like most elitist art, the murals on display at the headquarters of Bank of America, the largest bank in the United States, tells a story destined to be deciphered by those who know. The murals seem to represent three stages of world transformation planning, chaos and achievements and are color-coded to be analogous to the three stages of hermetic alchemy: Nigredo (black), albedo (whiteness) and Rubedo (redness) The murals have many similarities with the murals of the Denver International Airport, which also represent the progressive phases of a profound transformation of society after a period of intense turmoil.

The first mural shows a wide range of occult symbols, some refer directly to the masonry. This is quite surprising that the painting is in the lobby of the headquarters of the most dominant bank in the United States and not in a Masonic lodge, but perhaps there is some overlap. Those "in the know" and has been initiated into the mysteries are those who are qualified to carry out the planning process, which in this painting seem to be the men in suits, whose ties match the floor in white wood and red, and make plans for the future generation, represented by the young blond Mason.

In the second mural, civil unrest, riots, protests and repression are all taking place. Historically, the masses only usually enter an outright revolt when their living conditions deteriorate significantly or when hugely unpopular policies are adopted. Is this part relate to the loss of civil liberties and the emergence of a police state? There is also a metaphysical aspect of the image displayed by the naked bodies that seem to revolve around the sun, which means that the period of turbulence is also happening on a cosmic level.

The last mural gives a sense of "mission accomplished" with the dominant figure of the work, while conveying the message that "the work is never completely done" as laborers are still hard at work in secrecy . This is reminiscent of the movie Metropolis, where a class of workers silently slave away from the underground supporting utopia of the elite. I can not fail to remember the 33 Chilean miners, while watching the workers.

In Conclusion.

The murals Bank of America is one more example of the agenda of the elite who are "hidden from view". These giant images, in view of all, but designed to be understood by few, describe the philosophy of the ruling elite, their occult knowledge and their plans for the future. As is the case with all art, it is possible to interpret these works on many levels and reach different conclusions. It is, however, difficult to ignore the recurring themes found in "Sinister Sites" described in The Vigilant Citizen: prevalent occult symbolism, heralding a "new era", contempt for the masses profanity, celebration repression and war, etc. When comparing the murals Bank of America with art in Denver Airport and the Georgia Guidestones, we can find a definite consistency in their symbolism, their tone and message. This leads me to believe that the same group is behind all these sites and many more. Whoever they are, we know some things for sure: they are very rich, very powerful and I do not like, because you're not one of them.